State of Dogs (Mongolian: Нохойн орон, alternately Nokhoin Oron) is a Mongolian movie that was released in 1998, directed and written by Peter Brosens and Dorjkhandyn Turmunkh. The film was shown at the 1998 Venice Film Festival,[1] the 1998 Toronto Film Festival[1], the 1999 Yamagata International Documentary Film Festival,[2] and won the the Grand Prix at the 1998 Visions du Réel film festival in Nyon, Switzerland.[1] 　　Set in Mongolia's capital city, Ulan Bator, the film combines documentary elements with fictional elements[3] in the fragmented, impressionistic and dreamlike story of Baasar, a dog who dies early in the movie — shot by a hunter employed by the city to reduce it's dog population, which has more than one dog for each four humans in its population of 800,000.[4] 　　According to Mongolian legend, a dog (who is prepared) may be reincarnated in its next life as a human, after roaming free for as long as he wants.[5] Baasar roams the memory of his life, uninterested in advancing to a human life.[2] 　　The film includes brief interludes with a solar eclipse, a segment in which a young man recites poems directly to the camera, and a depiction of modern Mongolian life with undercurrents of mysticism and myth.[4] 　　Garth Stein, American author and film producer, was inspired by State of Dogs, to write his best selling novel The Art of Racing in the Rain.[6]

State of Dogs (Mongolian: Нохойн орон, alternately Nokhoin Oron) is a Mongolian movie that was released in 1998, directed and written by Peter Brosens and Dorjkhandyn Turmunkh. The film was shown at the 1998 Venice Film Festival,[1] the 1998 Toronto Film Festival[1], the 1999 Yamagata International Documentary Film Festival,[2] and won the the Grand Prix at the 1998 Visions du Réel film festival in Nyon, Switzerland.[1] 　　Set in Mongolia's capital city, Ulan Bator, the film combines documentary elements with fictional elements[3] in the fragmented, impressionistic and dreamlike story of Baasar, a dog who dies early in the movie — shot by a hunter employed by the city to reduce it's dog population, which has more than one dog for each four humans in its population of 800,000.[4] 　　According to Mongolian legend, a dog (who is prepared) may be reincarnated in its next life as a human, after roaming free for as long as he wants.[5] Baasar roams the memory of his life, uninterested in advancing to a human life.[2] 　　The film includes brief interludes with a solar eclipse, a segment in which a young man recites poems directly to the camera, and a depiction of modern Mongolian life with undercurrents of mysticism and myth.[4] 　　Garth Stein, American author and film producer, was inspired by State of Dogs, to write his best selling novel The Art of Racing in the Rain.[6]

九歲就進芭蕾學校的歐姍娜，一心想成為芭蕾女伶，同時報答媽媽苦心栽培她跳舞，遠離貧窮的夢想。為了跳出曼妙的舞姿，多年來永無止境的練習、嚴格的體重控制，以及犧牲與同年齡的孩子應有的自由，是芭蕾少女必經的犧牲之路。伴隨著許多挫敗、淚水、孤單，唯有不停自我激勵、要求，才能持續下去…。

九歲就進芭蕾學校的歐姍娜，一心想成為芭蕾女伶，同時報答媽媽苦心栽培她跳舞，遠離貧窮的夢想。為了跳出曼妙的舞姿，多年來永無止境的練習、嚴格的體重控制，以及犧牲與同年齡的孩子應有的自由，是芭蕾少女必經的犧牲之路。伴隨著許多挫敗、淚水、孤單，唯有不停自我激勵、要求，才能持續下去…。

This documentary shows Arvo Pärt at home with his family and working in his study. He is interviewed/provides voiceover in Estonian/Russian with subtitled English translations. Concert rehearsals (The Hilliard Ensemble/ Western Wind Choir/Paul Hillier) (unknown Finnish choir & orchestra/Eri Klas) and a studio session (Arvo Pärt: Yamaha DX7 keyboard, Jan Garbarek: tenor saxophone & Manfred Eicher: engineer) for the unreleased recording of what is reputedly Aetos are shown. Also a few minutes of the Kremer/Grindenko/Schnittke /Sondeckis Tabula Rasa performance is shown which would lead one to think that there is a complete video recording of that as well as the WDR Radio recording used for the ECM release. The tone of the documentary alternates from serious interviews/work to humorous scenes of Pärt clowning around and German "man on the street" interviews with people being asked "Who is Arvo Pärt?". Overall, a fascinating view into Pärt's work and lifestyle. 　　(Alan Teder)

This documentary shows Arvo Pärt at home with his family and working in his study. He is interviewed/provides voiceover in Estonian/Russian with subtitled English translations. Concert rehearsals (The Hilliard Ensemble/ Western Wind Choir/Paul Hillier) (unknown Finnish choir & orchestra/Eri Klas) and a studio session (Arvo Pärt: Yamaha DX7 keyboard, Jan Garbarek: tenor saxophone & Manfred Eicher: engineer) for the unreleased recording of what is reputedly Aetos are shown. Also a few minutes of the Kremer/Grindenko/Schnittke /Sondeckis Tabula Rasa performance is shown which would lead one to think that there is a complete video recording of that as well as the WDR Radio recording used for the ECM release. The tone of the documentary alternates from serious interviews/work to humorous scenes of Pärt clowning around and German "man on the street" interviews with people being asked "Who is Arvo Pärt?". Overall, a fascinating view into Pärt's work and lifestyle. 　　(Alan Teder)

《郑容和的Hologram》，韩国摇滚乐队CNBLUE主唱郑容和的个人真人秀节目，由韩国Mnet电视台制作播出。节目展示了郑容和的日常生活和solo专辑《美好的一天（One Fine Day）》的准备过程。

《郑容和的Hologram》，韩国摇滚乐队CNBLUE主唱郑容和的个人真人秀节目，由韩国Mnet电视台制作播出。节目展示了郑容和的日常生活和solo专辑《美好的一天（One Fine Day）》的准备过程。

在某个古老村落的遗址深处，那一片禁止入内的区域里，存在着被口口相传为“窥之生厄、亵之招祟”的“不可触碰之物”。世代担任山神守护的三十木谷家的孩子——日向和薰，在一个暴风雨之夜靠近深山，遭遇了被称为“屋跨斑”的那个“存在”。然而两人竟毫不畏惧，反而将这位怪异称作“斑小姐”，并与之亲近起来……

離營休假的士兵，準備前赴女友的約會，沒想到在火車站遇到了長官，散發成熟帥氣的軍裝賀爾蒙，而長官曖昧游移的眼神，讓他萌發未曾有過的微妙慾望…。眼見和女友的約會時間越來越接近，這場火車上的軍官邂逅，竟勾起二個男人的不安思緒…。